CONSOLATION OFFERINGS

An mfa thesis of painted objects and floating memorials - places, spaces, here, gone, and forever; sites for shared grief work

As seen in Nine: Through The Void,

Mills College MFA Thesis Show, 2022

Oakland, California

Consolation Offerings emerged from an inquiry into how grief reshapes our relationship to objects, space, and time. Rooted in the Jewish mourning technology of shiva, the seudat havra'ah (the meal of consolation), gathering, and mutual aid as enduring frameworks for living alongside loss in community. Rather than treating grief as a private experience to be overcome, these practices understand mourning as something held collectively through food, presence, storytelling, and the simple act of remaining with one another.

Throughout the installation, painted objects and floating memorials inhabit an in-between landscape that is neither entirely here nor entirely gone. Familiar domestic forms drift through suspended space, reflecting the altered sense of time that accompanies bereavement, where memory folds into the present, absence becomes tangible, and the boundaries between the living and the remembered begin to blur. The work imagines grief as an interdimensional space, one in which love continues to circulate across temporal and physical distance.

Food serves as both subject and structure throughout the exhibition. The consolation meal, family recipes, shared tables, and ordinary kitchen objects become vessels for remembrance, care, and continuity. These familiar forms point to the ways nourishment extends beyond the body, sustaining community through gestures of hospitality, mutual aid, and ritual attention.

Together, the works propose the gallery as a site for collective mourning: a place where objects become offerings, memory becomes material, and viewers are invited to gather within the quiet, ongoing work of consolation.

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